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He has established studios, organized events, made his own way independent of institutions and nationality now for over ten years through relocations between several countries. By now his work has been presented in over 15 countries with CDs published on four continents. He is ever surprised to discover new listeners and collectors of his music in the most disparate places—from Japan to Lapland from Moscow to Montana. Currently using specially prepared instruments such as the Magnetic Table Harp (a controllable magnetic resonance machine that acts simultaneously as a stringed instrument, a large contact microphone and a tone processor) as well as computer processing, prepared recordings (such as potatoes frying, wind moving through trees and walks through foliage) and a range of sounding objects--Michael explores the no-man's land between improvisation and acousmatic composition. A delicate position poised in search of the ever elusive morphological 'flow' where sound and action melt together and the eidetic triggering of sound as pure material transcends playing into the territory of 'sonic compost'—that which feeds our insatiable need to listen deeper. sign up for mailing list about new releases and events
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| Last Updated ( Wednesday, 01 June 2011 09:20 ) |